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Adding the BPM of your song in the folder name is always a good idea. Order our Mixing & Mastering service today and get a more professional sound for your music.

Send us your session, tell us about what kind of sound you’re after and we’ll deliver it to you, ready to release.

The latest update to the fastest-growing DAW on the market, Pre Sonus® Studio One® 3.5 includes 60 new features and enhancements, including several of the most requested new features from the Studio One user community.

Studio One 3.5 introduces a completely revised Project page for mastering, no-holds-barred Mixer Undo functionality, and a powerful new, optimized, native, low-latency audio engine for unrivaled near-zero latency audio and virtual instrument monitoring with high-speed audio interfaces, such as the brand-new Pre Sonus Quantum Thunderbolt interface.

Bottom line: You get more performance and better stability. You’re undoubtedly familiar with the tradeoff between latency and CPU load.

At the smallest buffer settings, latency may be low enough to monitor through software but at the cost of higher CPU load and dropouts.

With the advent of powerful high-speed Thunderbolt audio interfaces such as the Pre Sonus® Quantum, we are experiencing a new level of performance for computer-based audio production.

In the past, you had to decide between hardware DSP-based, near-zero-latency monitoring and processing, with a limited set of DSP plug-ins; or software monitoring with complete freedom of native plug-ins and virtual instruments in a latency-afflicted audio environment. Using Studio One 3.5 with a high-speed audio interface eliminates the need for expensive hardware DSP by introducing native low-latency monitoring: completely redesigned audio engine latency-management that allows you to stay in the native processing domain throughout the entire production process.

We’ll discuss some general things to keep in mind, then address how these things play out in different DAWs such as Ableton Live, Logic Pro X and FL Studio.

First, select all the tracks you want to export (use control click on pc or command click in Mac to select multiple channels). Normally, buses don’t need to be exported, but if you particularly like a send effect you have created, you can export the Auxiliary Send in question.6.

Under the “Output” section, on the “Directory” field, click on “Browse”, “Browse for directory” and create a new folder where you want Reaper to put your exported files.

Whenever planning on working closely with another artist it’s a good idea to talk about a few things, such as: the style and arrangement of the project, how to handle third-party plugins (like reverb, delay and echo), and how to approach tracks with automation.

A little pre-planning will go a long way to avoid headaches down the line.

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